My latest work will be exhibiting this summer as part of ‘White Horse in a Green Meadow’ at Putti Gallery, Riga, Latvia.
If you are in the neighborhood check it out, exhibiting amongst some other great artist.
Opens 22nd June.
Continuing on from work shown as part of the SENSEability exhibition which is exhibiting in Vienna this summer. This work explore the relationship of the soft elements or cushions that are used to protect, seeing how a piece works with these as my main focus in a composition.
My work is usually designed by allowing a conversation between concept, material and abstract expression, which usually comes in the form of drawings. So whichever I start with, the creative process comes from going back and forth between them all.
To be given a piece from another jewellers through the Addition Project is an interesting way of starting. The pieces that are given are not in your style and ability, and can be at very different levels of finish, ranging from a complete test piece to a test sample. Each piece may use ideas and materials you have never thought of using in a way that seems almost alien. And now it is in your hands and you have a decision to make about the next step you’re going to take. Whether it is a mixing their and my style or continuing down their almost alien path and create something new, or to include both, making a hybrid creation.
With the piece of work in the first round I manipulated and incorporated some of my own stainless steel elements creating something quite different from the original. The second round took me away from my own style of work, and challenged me to look at how to manipulate it without incorporating my own work, it was a piece that seemed like it didn’t want to have any wire box frames added.
I have been playin around with the photographs I have been taking seeing the stark white as not allowing the three-deminsional nature of the jewellery pieces to show through, for many this was appropiate and the crude and impact of contrast between the background and pieces seem to reflect the pieces themselves and the drawings. however i wonder if this does actually show the piece as a individual off to its best.
The problem with producing a photograph any white that the lightest shown above is the loss of element of the intrigue wire. For my chunkier metal pieces this is not an issue but for the thinness of the wire, does it play to have less of that stark contrast, allowing for subtle shadows to give depth to a piece.
A good piece of advice was to always photograph jewellery from a low angle on a white acrylic, with a light behind or underneath this.
Playing around with photoshop, seeing how that can affect the background.
If anyone has any tips or comment it would greatly be appreciated.