White Horse in Green Meadow

DSC_1553My latest work will be exhibiting this summer as part of ‘White Horse in a Green Meadow’ at Putti Gallery, Riga, Latvia.

 If you are in the neighborhood check it out, exhibiting amongst some other great artist.

Opens 22nd June.

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Continuing on from work shown as part of the SENSEability exhibition which is exhibiting in Vienna this summer. This work explore the relationship of the soft elements or cushions that are used to protect, seeing how a piece works with these as my main focus in a composition.

Design Process on Addition Project

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My work is usually designed by allowing a conversation between concept, material and abstract expression, which usually comes in the form of drawings. So whichever I start with, the creative process comes from going back and forth between them all.

To be given a piece from another jewellers through the Addition Project is an interesting way of starting. The pieces that are given are not in your style and ability, and can be at very different levels of finish, ranging from a complete test piece to a test sample. Each piece may use ideas and materials you have never thought of using in a way that seems almost alien. And now it is in your hands and you have a decision to make about the next step you’re going to take. Whether it is a mixing their and my style or continuing down their almost alien path and create something new, or to include both, making a hybrid creation.

With the piece of work in the first round I manipulated and incorporated some of my own stainless steel elements creating something quite different from the original. The second round took me away from my own style of work, and challenged me to look at how to manipulate it without incorporating my own work, it was a piece that seemed like it didn’t want to have any wire box frames added.

Photos of Round 2 will be coming soon…

New year…well 4 months in

…well 4 months in

The progression of work.

It has been a hive of activity over the last year, what with my wedding, studio, hothouse and work. Every moment I have been able to sit down and write a blog post, my mind has not had anything relevant to say or perhaps, too much to say.DSC_1092-1024x680

 

After having played around with work over the last few months I have noticed an interesting progression from my MA collection to more random and smaller series, testing out old ideas and possibilities along with new ones.

However, it is only when I take a step back that I feel you are able to progress, especially if you are seemingly at an end with a piece of work, more often there is another step. My MA collection was both fun and challenging for me, but it was never the be all and end all, I see clearly now that it was only the first step on my journey within jewellery. In the sense it pushed my conceptual thinking to the limit, challenging my idea and aesthetics in my work. From that I have been able to see where my strength and weakness lye as well as what worked and what did not.

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My latest work, which has been exhibited over this last year can be seen bridge between my MA collection and myself. Exploring how I am motivated to produce work whether through design or making. Breaking pieces down and seeing the different elements.

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This work is the building up of a single form, allowing ‘the little’ to create the large.

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I am finding that I am becoming, or perhaps always was particularly interested and drawn to the process of designing and the different aspects of it within art jewellery as a whole.

 

 

Photographs from Made London 2013

Photographs from October 2013

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Exhibiting as part of the Hothouse Alumni group ‘Twenty’dscn0416-1024x768

Miche Follano dscn0417-1024x768

Jill Shaddockdscn0405-1024x768

Sarah Pasleydscn0404-1024x768

Anne Laycockdscn0399-1024x768

Annabelle Lucilla Hastingsdscn0400-1024x768

  Rosie May Treasure Makerdscn0398-1024x768

Greig Aldermandscn04011-768x1024

Kirsty Pearsondscn0402

Fay Jenkinsondscn04121-768x1024

Thomas Appletondscn04141-768x1024

Lulu & Lucasdscn04151-768x1024

  Keith Varneydscn0428-768x1024

Agnes Jonesdscn0429-768x1024

Emma Calvertdscn04031-768x1024

Sophie Stampdscn04081-768x1024

Annabel Williamsdscn04091-768x1024

Jane Cairnsdscn04101-768x1024

  Suzanne Rogersdscn0396-1024x768

Studio Window

What i wanted to say when answering the brief for a Hothouse Peer networking session:

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Looking out the window

When looking out my studio window, most of what I see is a rather old run-down building two floors up, I am level with it’s angular roof, the same singular shape of tile repeated in a rather less than uniform nature. The wall is more consistent apart from that missing brick.

The sounds I want to hear and the sounds I don’t – Some days are a little different to others. One day I may only want silence (usually when I am writing). The unwanted steps of others or the key on a laptop often, still break these. These sounds always appear heightened or louder in my eerie silence I try to create to try to gain some calm. Yet silence can never be just that in an urban environment.

Other days, particularly when I am making, there is a need for music, whether it is the radio or a particular band (to sing along too). My hands are doing the thinking that leaves my head to enjoy it, concentration is second nature at this time. There is no need to create the space for it.

Whether it is silence I need or not, the choice is about understanding how I will or want to work on any given day, knowing for me that one days temperament is not always the same as the next.